Jonathan Schwartz Movies

In order to beat inflation and subsidize their alimony checks, three suburban housewives plot to steal $1 million from a large plastic ball which is...

Potential Northwestern fellow Tess Harper lasers through her best friend's wedding planning like the star doctor she hopes to soon become. In fact,...

Documentary on the 1953 musical "The Band Wagon."

«Swimming or fluidly moving in pattern - like lust or love or something weird. A communication halt: cue the apes to speak or make...

A visual essay about the progressive tradition of the United States as seen through grave markers and monuments.

Schwartz’s poetic 16mm work meditates on the sights and sounds of slowly crumbling glaciers, charting an interior dance between desperation and...

Jonathan Schwartz is a young American experimental filmmaker who has crafted a body of short, lyrical 16mm films over the past decade. Working with...

Schwartz approaches light traveling through water in all its forms. His macro lens strives to get closer to the essence, to the transparency of...

It's an ironically dark response to its title. It pictures an oversaturated, white and blue stop motion animation of the double image of a man...

From 'A Set Of Miniatures'

From the 33 1/3 Series (an album of eleven 'in-camera' 16mm films)

An experimental short by Jonathan Schwartz, which is part of the 33 1/3 series.

(Maybe) of finding neutral signs in a non-neutral place while tension sits, increases, is shared, builds, or possibly lessens–or maybe is...

Light painting and nature imagery are captured in 13 shots of different points of luminescence, on the 13th anniversary of Schwartz’s...

It arrives, in a fog, with songs, through dance or majestic animals or faces (gliding on the street), and in shapes of light, maybe on a large bird...

“hit the slopes with colorful exaggerations, take a long sleep, and hope to wake up without an anxious yawn.” – JS

Refers to Schwartz’s grandfather-in-law’s age during the making of the film–an anniversary celebrated with the gift of piloting a...

Schwartz’s work exists as a dialectic all its own, with a kind of wry fascination with things and a tinkerer’s yearning to take them...

When a character moves off screen, we accept the fact that he is out of sight, but he continues to exist in his own capacity at some other place in...

a certain worry enveloped in the covering of the ground, illuminated around a face, light on something ferocious, touch upon something gentle.